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Basics
This chapter lays down some fundamental principles of melodic motion and chord construction, which
must be understood before we begin looking at chord progressions.
The way in which melodic dissonance is created and the way it tends to resolve is explored, examining the
various, sometimes conflicting, forces at work. This is followed by a discussion of the building of pleasing
well-balanced chords.
Some of the principles presented here may exist purely due to cultural conditioning. Perhaps we expect
certain types of melodic resolution and certain types of chord construction simply because we are used to
hearing music played that way. In many cases, however, there appear to be other reasons - some based on
the physics of sound and some on the physiology and psychology of human hearing - for many of the
practices common in Western music. The text explores some of these ideas, although it does not attempt to
provide absolute proof of anything.
© 2005 Andrew Hodgson
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